🔗 Share this article The City of Bristol's Backyard Vineyards: Foot-Stomping Fruit in Urban Spaces Every 20 minutes or so, an older diesel-powered railway carriage pulls into a spray-painted station. Nearby, a law enforcement alarm cuts through the near-constant road noise. Daily travelers rush by collapsing, ivy-covered fencing panels as rain clouds form. This is perhaps the last place you anticipate to find a perfectly formed grape-growing plot. However James Bayliss-Smith has managed to 40 mature vines sagging with round purplish grapes on a rambling allotment situated between a line of 1930s houses and a commuter railway just north of the city town centre. "I've seen individuals hiding illegal substances or other items in the shrubbery," states Bayliss-Smith. "Yet you simply continue ... and continue caring for your grapevines." Bayliss-Smith, 46, a filmmaker who runs a fermented beverage company, is not the only urban winemaker. He's pulled together a loose collective of cultivators who make vintage from four hidden urban vineyards nestled in back gardens and allotments across Bristol. The project is sufficiently underground to possess an formal title so far, but the group's messaging chat is called Vineyard Dreams. City Vineyards Across the World So far, the grower's plot is the sole location listed in the City Vineyard Network's upcoming global directory, which includes better-known urban wineries such as the eighteen hundred vines on the hillsides of Paris's renowned artistic district neighbourhood and more than three thousand vines overlooking and within Turin. The Italian-based non-profit association is at the vanguard of a movement reviving city vineyards in traditional winemaking nations, but has identified them throughout the world, including cities in Japan, Bangladesh and Central Asia. "Vineyards help urban areas remain more eco-friendly and more diverse. These spaces protect open space from construction by establishing long-term, yielding farming plots within urban environments," explains the organization's leader. Like all wines, those created in cities are a result of the soils the plants grow in, the unpredictability of the climate and the individuals who care for the fruit. "Each vintage represents the beauty, community, landscape and heritage of a city," adds the spokesperson. Unknown Polish Variety Returning to the city, Bayliss-Smith is in a urgent timeline to harvest the vines he cultivated from a plant left in his garden by a Eastern European household. Should the precipitation arrives, then the birds may seize their chance to feast once more. "This is the enigmatic Polish grape," he comments, as he cleans bruised and rotten berries from the shimmering bunches. "We don't really know their exact classification, but they are certainly hardy. Unlike noble varieties – Pinot Noir, Chardonnay and additional renowned French grapes – you need not treat them with chemicals ... this is possibly a unique cultivar that was bred by the Eastern Bloc." Group Activities Across Bristol Additional participants of the group are also taking advantage of sunny interludes between showers of autumn rain. At a rooftop garden with views of Bristol's glistening waterfront, where medieval merchant vessels once bobbed with casks of vintage from Europe and Spain, one cultivator is harvesting her rondo grapes from approximately fifty vines. "I adore the smell of these vines. The scent is so reminiscent," she says, pausing with a basket of grapes slung over her arm. "It's the scent of southern France when you open the vehicle windows on holiday." The humanitarian worker, 52, who has devoted more than two decades working for humanitarian organizations in conflict zones, unexpectedly took over the vineyard when she moved back to the United Kingdom from East Africa with her household in recent years. She felt an overwhelming duty to maintain the vines in the yard of their recently acquired property. "This plot has already survived multiple proprietors," she says. "I really like the concept of natural stewardship – of handing this down to someone else so they keep cultivating from the soil." Sloping Gardens and Traditional Production Nearby, the final two members of the group are hard at work on the precipitous slopes of the local river valley. Jo Scofield has cultivated over 150 vines situated on terraces in her expansive property, which tumbles down towards the silty local waterway. "Visitors frequently express amazement," she notes, gesturing towards the interwoven vineyard. "They can't believe they can see rows of vines in a urban neighborhood." Currently, Scofield, sixty, is picking clusters of dusty purple dark berries from lines of plants slung across the cliff-side with the assistance of her child, Luca. Scofield, a wildlife and conservation film-maker who has contributed to streaming service's Great National Parks series and BBC Two's Gardeners' World, was inspired to cultivate vines after observing her neighbor's vines. She has learned that amateurs can produce interesting, pleasurable natural wine, which can sell for upwards of seven pounds a serving in the increasing quantity of establishments focusing on low-processing wines. "It's just deeply rewarding that you can truly create good, traditional vintage," she states. "It's very fashionable, but really it's reviving an old way of producing wine." "When I tread the fruit, the various wild yeasts are released from the skins and enter the juice," explains Scofield, ankle deep in a container of tiny stems, pips and crimson juice. "That's how vintages were historically produced, but commercial producers introduce sulphur [dioxide] to kill the wild yeast and subsequently add a lab-grown culture." Challenging Conditions and Creative Solutions A few doors down sprightly retiree Bob Reeve, who inspired Scofield to plant her grapevines, has assembled his friends to harvest white wine varieties from the 100 plants he has arranged precisely across multiple levels. Reeve, a northern English PE teacher who taught at the local university developed a passion for wine on regular visits to Europe. But it is a difficult task to grow Chardonnay grapes in the dampness of the valley, with temperature fluctuations moving through from the Bristol Channel. "I aimed to produce Burgundian wines here, which is a bit bonkers," admits the retiree with a smile. "This variety is slow-maturing and particularly vulnerable to mildew." "I wanted to make European-style vintages in this environment, which is rather ambitious" The temperamental Bristol climate is not the sole challenge encountered by grape cultivators. The gardener has been compelled to erect a barrier on